Here is the official press release regarding the death of Jeannie Seely:
Grand Ole Opry star and country music legend Jeannie Seely has passed at age 85. Seely died peacefully today at 5:00 p.m. CT at Summit Medical Center in Hermitage, Tennessee, as a result of complications from an intestinal infection.
Seely had battled health issues since last fall, which escalated in December following the passing of her husband, Gene Ward. She’d undergone multiple back surgeries this spring for vertebrae repairs, as well as two emergency abdominal surgeries.
As of her last Grand Ole Opry show on February 22, Seely had made 5,397 Opry performances, more than any other artist in the Opry’s 100-year history. In 2018 Seely began hosting her own weekly “Sundays with Seely” show on the Willie’s Roadhouse on SiriusXM, and her most recent show aired this past Sunday, July 27. A trailblazer and an icon, Seely was considered to be the oldest actively working female entertainer in country music at the time of her death.
Music industry professionals early on praised Seely’s soul-inspired vocals which resulted in her being nicknamed “Miss Country Soul,” a title used throughout her career spanning seven decades. In 2019, Dr. Jeannie Seely was awarded an honorary Doctor of Arts from Lincoln Memorial University for her many groundbreaking accomplishments in the music industry.
Born on July 6, 1940, in Titusville, Pennsylvania, Seely was raised on a farm along a dirt road outside of nearby Townville. A year ago this week, Seely returned to her roots when new “Home of Jeannie Seely” signs were unveiled in Townville. The ceremony was held at the Townville Fire Station where decades earlier Seely had first performed in front of a live audience.
When she was barely tall enough to reach the dial on her family's big Philco console radio, Seely was tuning in the Grand Ole Opry on radio station WSM 650. At age 11, she began singing for a Saturday morning radio show on Meadville station WMGW, and by age 16 she was performing on TV station WICU in Erie. At Hillbilly Park near Franklin, Pennsylvania, Seely had the opportunity to see and meet performers like Bill Monroe, Ralph Stanley, Jean Shepard, Little Jimmy Dickens, and Wilma Lee & Stoney Cooper, never imagining that one day she’d share the Grand Ole Opry stage with them.
Seely was a cheerleader, majorette, and honor student while attending Townville High School, and she sang at local amateur contests and began performing at weekend dances throughout northwestern Pennsylvania. Following high school graduation in 1958, Seely worked for three years at the Titusville Trust Company and continued her education by completing night classes that were conducted by the American Institute of Banking in Oil City, Pennsylvania.
At age 21, Seely packed everything she could into her car, shipped the rest to "General Delivery, Los Angeles" and headed west. She initially took a job at a Beverly Hills bank but left it after a year to take a secretarial position for half the money at Liberty and Imperial Records in Hollywood. With a foot in the door of the music business, she began writing songs for Four Star Music and became a regular act, along with an unknown Glen Campbell, on the Hollywood Jamboree television series. Her songwriting led to her own recording contract on Challenge Records, and a couple regional hits and a West Coast tour resulted.
Seely received the “Most Promising Female Artist” award in 1964 from the Country and Western Academy which later became the Academy of Country Music. A year later upon the encouragement of friend Dottie West who’d recorded one of her songs, Seely moved to Nashville where she signed with Monument Records. Her chart-topping hit “Don’t Touch Me” resulted in Seely becoming only the third female country artist to receive a Grammy Award. After receiving the “Most Promising New Artist” awards from Cashbox, Record World, and Billboard, Seely subsequently went on to appear on Billboard’s country singles chart for 13 consecutive years.
On September 16, 1967, Seely was inducted as a member of the world-famous Grand Ole Opry. She was the first Pennsylvania native to become an Opry member, and then later became the first female to regularly host Opry segments. Widely recognized for changing the image of female country performers, Seely became the first person to wear a mini-skirt on the Opry stage. With fellow Opry member Jack Greene, she formed one of the most successful duets and road shows in country music history. In 2022 the Grand Ole Opry honored Seely for her 5,000+ performances, a record which will likely remain intact forever.
A BMI-awarded songwriter, Seely’s songs were recorded by Country Music Hall of Fame members including Dottie West, Merle Haggard, Connie Smith, Ray Price, Willie Nelson, Faron Young, Ernest Tubb, Little Jimmy Dickens, and Hank Williams Jr. – as well as by artists ranging from Irma Thomas (the “Soul Queen of New Orleans”) to Rhonda Vincent (the “Queen of Bluegrass”), from Chris LeDoux to Moe Bandy, and from Boys II Men to Seal. Seely’s composition “Yours” was named “Song of the Year” at the 2022 Arkansas Country Music Awards.
The star of major stage productions including Always, Patsy Cline, The Best Little Whorehouse In Texas, Could It Be Love, and several others, Seely served as a radio disc jockey on her own Armed Forces Network, traveled on military tours throughout Europe and Asia, and published her own book titled Pieces Of A Puzzled Mind. Recordings by Seely have spanned seven decades from her Top 10 Billboard album The Seely Style to her Curb Records album An American Classic which includes her third duet with friend Willie Nelson. Seely appeared in Nelson’s movie Honeysuckle Rose and sang on the platinum soundtrack album.
In 2018 Seely was inducted into the Music City Walk of Fame which represents all genres of music. At the inaugural Influencing Women Awards Gala in 2019, the first “Standing Ovation Award” was presented to Seely – and then her name was added to the annual award. In 2022, Seely was the honored recipient of the Legacy Award at The Nashville Women in Film & Television WIFT ALICE Awards Ceremony and Gala Dinner. In 2022 Seely was recognized on the nationally televised Country Music Association (CMA) Awards Show, in 2023 she received the CMA’s prestigious Joe Talbot Award, and in 2024 she was honored by SOURCE with the esteemed Jo Walker-Meador Lifetime Achievement Award.
With the release of her single “Suffertime” in 2024 accompanied by a music video and short documentary, Seely established a new record as the vocalist with the longest timespan (60 years) between recording sessions at historic RCA Studio B on Music Row. Following Seely’s 5,381st performance on the Grand Ole Opry in September 2024, the “Jeannie Seely Interchange” was dedicated at the Briley Parkway exit to the Grand Ole Opry House. In March of 2025, Sony Music Publishing Nashville celebrated Seely during Women’s History Month by releasing three reimagined versions of her songs as collaborations with rising female artists.
In late 2024, a display honoring Seely was added to the "Sing Me Back Home" permanent exhibit on the second floor of the Country Music Hall of Fame and Museum, and in November Seely visited her display in person. Seely’s Billboard Most Promising Female Vocalist Award trophy is also on display in a special exhibit located in the museum’s concourse to the Omni Hotel.
Seely’s last public appearance was on March 1, 2025, when she attended the rebranded opening of the Legends of Country Music Museum located in Nashville’s Music Valley area. Her image appears on the outside of the building, and she is honored inside with an updated exhibit. In April 2025, the Studio Space at the SAG-AFTRA office on Music Row was named in Seely’s honor and she was scheduled to attend the formal dedication. Until the time of her death, Seely proudly served as the producer for the bluegrass group Cutter & Cash and The Kentucky Grass and she was planning to produce their next recording session.
Throughout her career, Seely spearheaded efforts to support and enhance artist, musician, and songwriter roles in the music industry, especially paving the way for females who followed. Instrumental in instilling an atmosphere of fellowship and camaraderie at the Grand Ole Opry – and in any music circle she entered – Seely connected with artists, musicians, songwriters, and industry personnel from all generations and backgrounds.
Seely is survived by numerous friends, family members and her special cat, Corrie. In addition to her husband Gene Ward and her parents Leo and Irene Seely, she was preceded in death by siblings Donald Seely, Bernard Seely, and Mary Lou Seely Lang.
A memorial service will be announced in the coming days. Tomorrow night's Grand Ole Opry will be dedicated to Seely.
Thank you to Absolute Publicity, Inc.
This one hurts a bit, especially in the Opry's 100th year. When you think about it, Jeannie, along with Bill Anderson and Connie Smith, were the last links at the Opry from the mid-late 60s. And all 3 were still active. As Opry fans, we treasure these stars as they have given so much to the Opry and to country music in general.
Jeannie brought so much energy to the 'Opry. She was simply amazing. Came from an era of entertainers. Today's youngsters would do well to learn that part of the business.
ReplyDeleteI loved Jeannie Seely. I remember going to her Christmas shows when I was younger. It was always a great time to see her and an honor to see her on stage. She will be missed and her passing leaves a big void at the Grand Ole Opry
ReplyDeleteBeautiful tribute to Jeannie and so many others that are being posted. We (her colleagues and fans) have our precious memories of special Jeannie moments and her long-serving contributions to the country music industry. Her legacy will be remembered and appreciated for years to come. (from Anonymous in PA)
ReplyDeleteYes, this one hurts.
ReplyDeleteAfter reading that press release, she should have been a lock for the Country Music Hall of Fame.
I really admired Ms. Seely. She was a great singer, great writer, great entertainer, very funny, and overall, she just had a great aura or whatever you want to call it. She seemed like someone you wanted to be friends with, who just happened to have this incredible career.
I used to enjoy her daily Facebook posts in the mornings. I've missed them lately, now I'll just miss her. What a huge loss for the Opry and Country music in general.
J in OK
The Opry press release doesn't appear to mention her fighting to host a segment. The New York Times actually has a well-done obituary: https://www.nytimes.com/2025/08/01/arts/music/jeannie-seely-dead.html
ReplyDeleteI have often described myself as a tNN child. It was always on in my house. But truthfully, I don’t remember her, at least not until I started paying very close attention to the weekly shows and reading and commenting here. I became a big fan and how could you not. she was such a great singer and so aware of the modern era and kept herself relevant. Bill and Connie really are about the only ones left to go back to the 60s and that is pretty sobering. What a great, legendary figure in the history of country music she was.
ReplyDelete'Opry Dan Rogers is my new and latest 'Opry hero. What a moving eulogy !!!
ReplyDeleteThis one really really hurts. She was that link back to the Opry of the 60´s.... ThoughI am 52 years old, I grew up listening to the music of Opry artists from the 40s-70s thanks to my grandparents and parents. Soon, I dont think even I will recognize one name on the Opry outside of Bluegrass acts, because current Country Music is not of my taste.- Nittannee73
ReplyDeleteHer passing leaves a huge void. When it comes to classic country music, only Bill Anderson and Connie Smith are left from the 60s.
ReplyDeleteWait, we still have Stu Phillips and Dolly Parton. yet, of the inductees of 1967- Only Stu Phillips is alive. Jack Greene, Four Guys, Jeannie Seely, and Charlie Walker all gone...... So sad
ReplyDelete8 Artists who joined the cast in the 60’s are still alive. Bill Anderson Lee Roy Vandyke Willie Nelson Norma Jean The Four Guys Sam Wellington Connie Smith Stu Phillips Dolly Parton . Hugs to All Seely Fans. Countryart
DeleteAs far as inductees from the 1970s, only four remain with us.... This is killing me.. Nittannee73
ReplyDeleteEven though he was inducted again in 2018, Bobby bare goes back to August 14, 1964 .... Nittannee73
ReplyDeleteI am sorry, but I am really having a hard time accepting the passing of Jeannie Seely. It was a moving tribute by Dan Rogers. I am originally from Pittsburgh, PA and Titusville is about 2-3 hours away...... Just breaks my heart because I am a huge fan of Country Music from the 40s to the 80s ....... I am 52 and that is what I grew up on. It is what dominates my Spotify List....... Nittannee73
ReplyDeleteReading these comments ... My mother first saw the Opry in the 1950s, and loved it. She hated the changes, even when they were unavoidable. Losing Jeannie Seely is a reminder of how much it has changed. The one major change that I find completely unacceptable is the small number of members on each show. She was one of the few who would always be there, and beyond everything else she was and everything else she meant, this leaves such a void.
ReplyDeleteSome of the most recent road dates Jeannie did were with Tim and Roxanne Atwood and I'm sure they are saddened by her passing. Tim and Jeannie had good chemistry on stage. At all of the road dates we attended Jeannie always had time for the fans and was really fun to visit with. As I've said before, Gene was fun and interesting to talk to as well. He had seen and done a lot in his life. Sure felt like Jeannie found the right one with Gene.
ReplyDeleteSomething we don't talk about too much is that in later years she was fairly vocal about keeping traditional or older country alive. She kind of picked up where Jean Shepard left off. Sure, she embraced and encouraged the new artist but she tried to make sure the audience knew what the foundation was for the new acts coming along. I loved when she would have three fiddles on stage. Too bad one wasn't Eddie Stubbs in the past few years.
Speaking of Eddie, Charles Esten mentioned him last night and I sure got the idea Eddie was there. Anyone else pick up on that? And it was clear that Charles and his wife had become good friends with Jeannie and Gene. His comments were very kind and respectful.
I have to agree that Dan's memorial comments were among the best and most heartfelt I have heard from Opry management in several years. I had no idea Jeannie had been an advocate for his gaining that position. Bet he got a lot of advise from her!
Yes the loss of Jeannie highlights the fact that we are nearing the end of the active members of the 50's and 60's generation at the Opry. Some will disagree with this but for the most part, with them goes the music of that generation. Yes, there are a few acts that perform some music from that generation and even create new music in that style and they occasionally play the Opry. But overall, the taste and likes of our society have changed and from a broad commercial perspective the older music is not popular anymore. Maybe that is because they don't even know it existed. After all, I hear it said so often "that was before my time". So what?
From time to time here our fiends will note that they listened to certain Opry members with their parents or grandparents when growing up. In some ways, that would be passing on your family traditions and heritage. I'm not sure that is happening as much these days. Yes, it has always been a fact of nature that the young want to create their own new hip things that are cool as opposed to mom and pop but that happens in their teens. To me, the years that parents get to set the tone for their kids is pre teens and I just wonder of there is less of that today and somehow, the music is reflective of that. Just last night Maggie Baugh came on stage and said I love, or was it like, country music but I'm going to do you a rock song. I suppose you can do both but I'm a little skeptical.
Point is, a lot of these folks form the 50's and 60's that have carried the torch so long, grew up loving the Opry and the country artist that went before them. When they made it, they carried on their music albeit in their own way but they carried it on with taste and respect. I still say the basic ingredients of country music did not change dramatically from 1940 to about 2000 or maybe as late as 2010. Then it went in the blender!
Somewhere along the way, the fans and the industry let the torch dim to a glimmer that the folks that followed had a hard time seeing. And now I think it is expected that you try and convince us you know and respect the history by dropping a few names that the whole world know, like, Cash, Parton, Nelson and a few others. Then you do a song that was inspired by your favorite rocker. It has become ironic to me that some of the most sincere respect and appreciation these days comes form someone like Bobby Rush and Kenny Wayne Sheppard and others not considered country. I say thanks to them!
I'll let that all brew a bit. I'm not complaining or in denial, just my thoughts......and we all have them.
Rest in peace Jeannie Seely.
Jim
Knightsville, IN
Stubbs wasn’t there on Saturday. Charles Esten was referencing Opry band members who played on Seely’s album and while pointing at drummer Eddie Bayers he accidentally said Eddie Stubbs.
ReplyDeleteThanks for clearing that up.
DeleteJim