Another weekend of solid shows at the Grand Ole Opry, highlighted by a return appearance by Opry members, the Oak Ridge Boys, who are on the schedule for both Friday and Saturday night. You might remember when the Oaks appeared several weekends ago that they brought out Richard Sterban to sing the closing verse of Elvia. For those who may not know, Richard has been battling a very serious health issue and had not appeared with the group since the previous Spring. It will be interesting to see if Richard is with the group again for these upcoming shows.
Also on the schedule for both nights is comedian Gary Mule Deer. For all of the appearances that we have gotten used to seeing from Gary Mule at the Opry, this will be only his 3rd & 4th shows in 2026. But don't worry; he is down for more on the upcoming schedules.
Joining that pair on Friday night are members Mandy Barnett, Del McCoury and The Whites. Speaking of Mandy, she has taken over the Sirius XM Sunday afternoon show on Willie's Roadhouse that was hosted by Jeannie Seely. I might add that Mandy is doing a great job.
Guesting on Friday are singer/songwriter Charlie Worsham, The Band Perry and John Foster.
It will be an all-member show on Saturday night as in addition to the Oaks and Gary Mule, Ashley McBryde, John Conlee, Riders In The Sky, Connie Smith and one of the Opry's newest members, Steve Earle are scheduled.
Friday February 20
7:00: Mandy Barnett, The Whites, Del McCoury Band, John Foster
Intermission
8:20: Charlie Worsham, Gary Mule Deer, The Band Perry, Oak Ridge Boys
Saturday February 21
7:00: Opry Square Dancers, Riders In The Sky, John Conlee, Connie Smith, Steve Earle
Intermission
8:20: Opry Square Dancers, Gary Mule Deer, Oak Ridge Boys, Ashely McBryde
There have been more than a few characters who in the history of the Grand Ole Opry have become members. One of those was Lecil Travis Martin. While that name may not ring a bell with some of the younger fans of the Opry, his stage name certainly does: Boxcar Willie. Boxcar joined the cast of the Opry 45 years ago this weekend, February 21, 1981.
From the Tennessean:
With tears in his eyes and a catch in his voice, Boxcar Willie became the Grand Ole Opry's 60th member on Saturday night.
Boxcar's induction into the ranks of country music greats is the second in recent weeks, part of the Opry's latest move to upgrade the show's cast. The grizzled hobo singer, wearing the overalls, threadbare jacket and tattered hat that have brought him from relative obscurity to international stardom in just a few years, was introduced on stage by Roy Acuff. Ironically, Saturday night marked the 43rd anniversary of Acuff's own tenure on the Opry.
"C'mon Boxcar, let's tear into them. You got 43 years to go to catch up to me on the Grand Ole Opry," said an ebullient Acuff, in his introduction. Describing Boxcar Willie as "a true-blue country music lover," Acuff noted the Opry's newest member "had tried different styles to make his living in country music. But finally, he tired being his own natural self and since then he's been very successful. We wish him all the success in the world."
Visibly moved, "Box," as he is known to his friends, took the stage where he was greeted warmly by Mr. Acuff. "Mr. Acuff, I have been practicing and dreaming for 40 years of being on the Grand Ole Opry," he said. "I've been rehearsing my speech for that long. And now, I'm speechless." "Why don't you cry a little bit for us," suggested Acuff. "If you say anything else, I will," said Boxcar.
At Acuff's urging "make us a good 'un" the singer then broke into a spirited melody of train songs and hobo ditties, highlighted by a rendition of Acuff's own trademark, Wabash Cannonball.
Until four years ago, Boxcar Willie was a relatively unknown singer and disc jockey in Texas named Jim Martin. The son of a real-life hobo turned tenant farmer, Martin developed an early love of hobo lore and songs that went with it. For years, he sang and played around Texas and the upper Midwest with little success until his decision to incorporate a hobo image into his act.
Since then, he has had a rush of success. His first appearance at the Wembley Festival of Country Music in England several years ago boosted him to immediate fame in Great Britain, where he has remained a consistently popular recording star. More recently, he has begun to develop a large American following with such songs as "Daddy Was a Railroad Man" and "The Lord Made a Hobo Out of Me." Currently television ads for his latest album are attracting attention around the country, and he has become a frequent performer on television's Hee Haw.
Born Lecil Travis Martin, Boxcar Willie never worked on the railroads. However, Willie loved the railroads and kept running away to ride the trains when he was a child. He also loved country music, particularly the songs of Jimmie Rodgers, Roy Acuff, and Ernest Tubb. As a teenager, Boxcar Willie would perform under his given name, eventually becoming a regular on the Big D Jamboree in Dallas, TX. In his early twenties, he served in the Air Force. After he left the service, he continued to sing in clubs and radio shows. In the late '50s, he began performing as Marty Martin, while working blue-collar jobs during the day. Marty Martin released an album, Marty Martin Sings Country Music and Stuff Like That, around 1958, but it was ignored.
In the mid-'60s, Martin wrote a song called "Boxcar Willie," based on a hobo he saw on a train. Martin continued to struggle in his musical career until the mid-'70s. By that time, he had become a DJ in Corpus Christi, TX. In 1975, he decided to risk everything he had on one final chance at stardom. He moved to Nashville and developed the Boxcar Willie character, using his song as the foundation.
Initially, Boxcar Willie wasn't very successful, but he had a lucky break in 1976 when he was called in to replace a sick George Jones at a Nashville club. During that performance, he was spotted by Drew Taylor, a Scottish booking agent. Taylor brought Boxcar Willie over to England for a tour, where he was enthusiastically received. Later that year, he released his first album, which was a moderate success in the U.K. Through the rest of the '70s, Willie toured Britain and every tour was more successful, culminating in a performance at the International Country Music Festival at Wembley in 1979. After his Wembley show was finished, he received a standing ovation -- the performance established Boxcar Willie as a star. His next album, King of the Road, became a huge success in England, reaching number five on the album charts; the record was helped immeasurably by its accompanying television advertisements, which sold the record through the mail.
By the end of 1980, Willie had become the most successful country artist in England, and his American success had just begun. King of the Road was available through an American television advertisement. "Train Medley" was a minor hit on the country charts, and he was becoming a popular attraction on U.S. concert circuits. In 1981, he received a spot on the Country Music Hall of Fame's Walkway of the Stars and became a member of the Grand Ole Opry. He was named "Most Promising Male Vocalist" by the Country Music Association, and his TV album "King of the Road" earned double-platinum sales
Boxcar Willie enjoyed his time in the spotlight, becoming a regular on the television show Hee Haw in 1982 and turning out albums as fast as he could make them. "Bad News" became his only American country Top 40 hit in 1982. In 1985, he played a hobo in Sweet Dreams, a film about Patsy Cline.
In 1985, Martin moved to Branson, Missouri, and purchased a theater on Missouri Route 76, also known as 76 Country Boulevard. In addition to the Boxcar Willie Theater, he opened a museum and eventually had two motels, both bearing his name. Martin was one of the first big stars to open a show in Branson, paving the way for the other nationally known names who followed.
By the mid-'80s, his star had faded, but he remained a popular concert attraction, particularly in England, into the '90s.
On October 31, 1996, after having felt tired for a couple of months, Box was told by doctors that he was suffering from the most aggressive type of leukemia, mantle zone lymphatic leukemia. He began a spirited battle for his life – even while undergoing chemotherapy, BoxCar performed six nights a week at his theater. His difficult struggle came to an end on April 12 in his Branson home, where he was surrounded by his family.
Here is the running order from Saturday February 21, 1981, the night Boxcar Willie became a member of the Grand Ole Opry:
1st show
6:30: Mrs. Grissoms
Roy Drusky (host): Strangers
Wilma Lee Cooper: I Couldn't Believe it Was True
Roy Drusky: The Last Farewell
6:45: Rudy's
Stonewall Jackson (host): Don't Be Angry
Jim and Jesse: Where Do We Go From Here
Connie Smith: Satisfied
Stonewall Jackson: 'Ol Chunk of Coal
7:00: Shoney's
Jim Ed Brown (host): Mariah
Billy Grammer: Somebody Loves You
Ernie Ashworth: Memphis Memory/Nine to Five
Tammy Wynette: Your Good Girl's Gonna Bad/Apartment #9/I Don't Wanna Play House/DIVORCE/Why I Keep Singing My Song/Cowboys Don't Always Shoot Straight/Stand By Your Man
Jim Ed Brown: The 3 Bells
7:30: Standard Candy
Roy Acuff (host): Wabash Cannonball
Jean Shepard: You've Still Got a Place in My Heart
Boxcar Willie: Fireball Mail/Train of Love/Hand Me Down My Walking Cane/Wreck of the Old 97/Orange Blossom Special/Wabash Cannonball/Night Train to Memphis
Crook Brothers and The Tennessee Travelers: Lafayette
Roy Acuff: Will the Circle Be Unbroken
8:00: Martha White
Grandpa Jones (host) and Ramona Jones: Piney Jane
Wilburn Brothers: Making Plans
Jeanne Pruett: Break My Mind
David Houston: My Lady
Grandpa and Ramona Jones: Dark As A Dungeon
8:30: Acme
Hank Snow (host): I'm Moving On
The Four Guys: Turn Your Radio On
Jimmy C Newman: Instrumental
Jan Howard: Rolling In My Sweet Baby's Arms/Rocky Top
Fruit Jar Drinkers: Saturday Night Hop
Hank Snow and Kelly Foxton: Before the Next Teardrop Falls
2nd show
9:30: Kellogg's
Porter Wagoner (host): Ol' Slewfoot
The Four Guys: Loving Up a Storm
Connie Smith: When I Need Jesus, He's There
Roy Drusky: Don't It Make You Want to Go Home
Vic Willis Trio: Cimarron
Porter Wagoner: Tennessee Saturday Night/Cold Hard Facts of Life/Carroll County Accident/Green, Green Grass of Home/On A Highway Headed South
10:00: Little Debbie
Jim Ed Brown (host): Lyin' In Love With You
Bill Carlisle: No Help Wanted
Stu Phillips: Have I Told You Lately That I Love You/You Win Again/Please Release Me
Jim Ed Brown: I Believe
10:15: Sunbeam
Roy Acuff (host): Down in Union County
Boxcar Willie: Fireball Mail/Train of Love/Hand Me Down My Walking Cane/Wreck of the Old 97/Orange Blossom Special/Wabash Cannonball/Night Train to Memphis
Roy Acuff: I'll Fly Away/I Saw the Light
10:30: Trailblazer
Grandpa Jones (host): Little Pink
Jean Shepard: Foggy River/If You've Got the Money, I've Got the Time
Grandpa and Ramona Jones: I Wonder Where My Darling is Tonight
10:45: Beechnut
Stonewall Jackson (host): Why I'm Walkin'
Wilma Lee Cooper: Bury Me Beneath the Willow
Crook Brothers and The Tennessee Travelers: Sally Goodin
Stonewall Jackson: Muddy Water
11:00: Coca Cola
Hank Snow (host): I've Cried A Mile
Jeanne Pruett: Satin Sheets
Fruit Jar Drinkers: Nubbing Ridge
Billy Grammer: Blue Water
Kirk McGee: Railroad Blues
Hank Snow and Kelly Foxton: Check
11:30: Bama Jelly
Jimmy C Newman (host): Louisiana Cajun Band
Jan Howard: Evil on Your Mind/Memories for Sale
David Houston: My Lady
Wilburn Brothers: Troubles Back in Town
Wade B. Landry: Orange Blossom Special
Boxcar Willie was perhaps the most successful invented character in the history of country music. With his kitschy persona and stage act -- highlighted by his amazingly accurate impersonation of a train whistle -- Willie played into the stereotype of the lovable, good-natured hobo who spent his life riding the rails and singing songs. Since his popularity had more to do with his image than his music, it makes sense that he was massively successful in England, where he personified Americana. Willie's English success carried him over to American success in the early '80s, where he ironically was perceived as carrying the torch for traditional country, because he kept the stereotypes alive.
Have a nice weekend and thanks for reading along.