Monday, November 4, 2019

Tuesday Night Opry 11/5

With the move to the Ryman Auditorium for the winter months, the Wednesday Night Opry and Opry Country Classics will take some time off, leaving just the Tuesday Night Opry for the rest of the year.

For a while, I was not even sure there was going to be an Opry member on this week's show, however earlier today John Conlee was added, so that gives us one.

Tuesday November 5
7:00: John Conlee; Mandy Barnett
7:30: Bobby Bones; Michael Ray
Intermission
8:15: The SteelDrivers; The Carter Family
8:45: Russell Dickerson; Sawyer Brown

Now obviously, this is not the original Carter Family that will be on Tuesday night, but the latest generation of the Carters. They will be appearing in support of the new album: The Carter Family, Across Generations.

The generation of the Carter Family credited with the “big bang” that started the genre that would come to be known as country music with four successive generations of Carter kin, including “Carter Girls” Helen, June and Anita as well as Carlene Carter and John Carter Cash are heard on The Carter Family – Across Generations.  The album project has been the focus of producer John Carter Cash’s efforts for the past few years and is available now from Reviver Entertainment Group’s Legacy label on LP, CD and across digital platforms.

Carlene Carter noted, “It’s a wonderful blessing to be able to have the technology today to have so many people who have passed and to be able to sing with them. As a child, I was told ‘when we’re all passed away, you have to carry this on and that’s what we’ve done.’”  John Carter Cash, her brother adds, “We were charged with this,” suggesting, “It’s not just about fame and power, it’s about the music” with his sister chiming in, “And the love.”

Reflecting on his family’s role in music history, John Carter Cash suggests, “You show me ten songs and I’ll show you nine that have direct influence from The Carter Family.  The Carter Family touched many people,” he notes and the album, in a very tangible way, keeps that tradition moving forward. After hearing the finished album, Carlene commented, “It’s very authentic, it’s just who they are and when I hear it, I get very emotional because all I wanted to do was protect that legacy and you truly hear that ‘Carter thing.’” 

The Carter Sisters, also known as the Carter Girls, were the daughters of Sara’s cousin Maybelle who had married Ezra Carter, A.P.’s brother.  With their mother, they kept the Carter Family tradition thriving from the 1940s into the 1990s.  Anita, June and Helen toured and recorded with Maybelle during those years, ultimately becoming part of The Johnny Cash Show.  Cash would marry June in 1968 and had already made the Carter Family an integral part of his in-concert presentation. His inclusion of the Carters enabled many to witness, both in concert and on TV, and to be influenced by “the Carter Scratch,”  Mother Maybelle’s innovative guitar technique.

Carlene, June’s daughter by country great Carl Smith, was part of the group as was as Lorrie Carter Bennet, Anita’s daughter, who is also heard on the album. Carlene, of course, went on to country stardom in her own right while John Carter Cash, sole offspring of the marriage from Johnny Cash and June Carter, became a noted Nashville-based producer and recording artist. 

Now, with Across Generations, things have come full circle with original recordings on which original Carter Family members are heard with contributions from later generations. Members of the fifth generation are heard with their great-great grandparents in a melodic version of time travel. Song selections range from Carter Family standards “Worried Man Blues,” “Will The Circle Be Unbroken”) to “Maybelle”, a composition by Danny and David Carter, written in 1978 upon the passing of their grandmother, to a newly discovered original autoharp recording simply titled “Maybelle’s New Tune.”

Tape sources included a just discovered home recorded tape that was used to convey news and music to family members in lieu of letters, unreleased tracks by June Carter, as well as long-forgotten and never previously released recordings by Helen and Anita.  The “first family of country music” broke through nationally after the legendary Bristol Sessions in the summer of 1927. It was then that A.P., Sara and her cousin Maybelle traveled across the Tennessee line from the their homestead in Hiltons, VA, nestled at the foot of Clinch Mountain, in the heart of Appalachia. In Bristol, they were recorded by pioneering producer Ralph Peer. Years later, he recalled that first encounter with the three Carters. “He’s dressed in overalls… they looked like hillbillies. But as soon as I heard Sara’s voice, that was it. I knew it was going to be wonderful.” During those initial sessions, the still teen aged Maybelle’s ability of playing melody and rhythm on guitar simultaneously, later known as ‘the Carter scratch,’ was noted.

The records they recorded at that time and afterwards would go on to sell hundreds of thousands of copies for the Victor Talking Machine Company. The Carter Family thereafter became a sensation on “border radio,” broadcasting from XERA, an ultra-high wattage station located in Ciudad Acuna, on the Mexican side of the border across from Del Rio, TX. Its powerful signal, across the entirety of the United States, propelled the Carter Family to legendary status.  They were the first musical group to be inducted into the Country Music Hall of Fame in 1970.

The Carter tradition made it to Nashville through the good graces of Maybelle and her daughters, regulars on the Grand Ole Opry.  The tradition continued with the births of fourth generation Carter Family members including the children of Carlene Carter, John Carter Cash, Dale Jett, David Carter Jones and Danny Carter Jones. Children of June Carter Cash, Carlene and John Carter perform on the album.  In turn, their offspring make appearances, as well as numerous other descendants of A.P., Sara, Ezra, Maybelle and their progeny.

The release of The Carter Family – Across Generations literally and figuratively brings The Carter Family legacy full circle and continues to be unbroken over the course of more than 90 years.

There you have it for Tuesday night. And by the way, how does everyone feel about the updated Opry website?

10 comments:

  1. I hadn't been on the Opry site in awhile, so I just checked it out. I'm not thrilled about it. I couldn't find the members list under "Artists". That used to be my favorite page. I went to the "Stories" page hoping for stories about the Opry's history and members. What I saw was something about tacos.

    It's definitely eye-pleasing, but a bummer content-wise, at least at a quick glance.

    J in OK

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  2. VERY DIFFICULT TO READ. TOO MODERN AND GLITZY. JIM HERZOG

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  3. I'm in my 30s and I think people my age love this type of website. I don't. I want simple and easy to find. I understand why it's complicated and fancy: they want people to stay on the website for as long as possible.

    If I want to know who's on at a certain time, I'm going to depend on this site now because I don't think it's going to be on the Opry website.

    A.B.

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    Replies
    1. I checked and was told that the site was still a work in process and they were continuing to work the bugs out of it.

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    2. Then there are a few huge bugs they need to work out.

      1) The attempt to have artists with their names sideways I have to turn my head totally to the left to see their name ... I surely know who Ricky Skaggs is when I see his picture, but newer artists I have no idea who they are and one has to arrow over to keep seeing who is on the Opry.

      2) The "Artists" section used to be in small boxes and if one wanted to look at a particular artist, the artists last name initial could be clicked on and it would take you right to where one wanted to be.

      3) Hopefully they will continue to put the lineup with the times/segments as they had been doing.

      Not sure who signed off on the updating of this site but in my opinion, they need to go right back to what they had because newer is not always better and the ease of using their site is no longer easy.

      (Jeanene)

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  4. If the Opry is looking for new members, why does it pass by folks like Mo Pitney, Teena Goins, Rhonda Vincent, Suzy Bogguss, Leona Williams, who love and perform traditional country music ???????? Dashmann - Flushing , Mich

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    1. Dashmann - THAT is the question!
      See where Larry's Country Diner's cruise is basically sold out, featuring Mo, Teena, Rhonda, and a whole bunch of TRADITIONAL country music artists.
      Huge ship by the way.
      You've got it. Don't have to be old to be a traditional country music performer.

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  5. ON another subject, Carlene Carter appeared in Bloomington Indiana recently (my home town), and it was a FABULOUS show. She is genuinely proud of being a "Carter girl," and I can't wait to hear them tonight.

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  6. It was scary good how well the Carter legacy performed on the Opry tonight !!!!! But, if they sounded too country ------well you know what happens -----

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  7. Last comment on the Carters was from Flushing (Mi) Dashmann ----

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