Monday, December 1, 2025

100th Anniversary Show Recap

I’ve been to quite a few Grand Ole Opry shows over the past 50 years, including the 75th anniversary show, the 5,000 Saturday night show and the 50th anniversary of the Grand Ole Opry House. There have been others, but those are the ones that stand out. While I missed the 50th birthday weekend, the opening of the Grand Ole Opry House, and the return to the Opry House after the 2010 flood, those shows were outstanding also. 

That said, Friday night was special and for those who missed it, I would say that the two shows on Friday were the best shows I have ever seen at the Opry. To take it one step further, with the exception of the first night at the Opry House in 1974, the first 15 minutes were the greatest 15 minutes in the history of the Opry. 

To recap, the show opened with Ricky Skaggs playing Tennessee Wagoner, the first song that Uncle Jimmy Thompson performed 100 years ago, and he played it on Uncle Jimmy’s fiddle. With the cast standing behind him, Bill Anderson and Kathy Mattea stepped forward and Bill led the singing on a special version of Will the Circle be Unbroken, with lyrics Bill wrote for the special night. The significance was Bill being the longest tenured member in the history of the Opry, and Kathy being the newest member of the Opry, bridging the past and the future of the Opry’s members. That was followed by the George Jones classic, Who’s Gonna Fill Their Shoes, with Scotty McCreery answering the question of who’s gonna sing the Wabash Cannonball. Of course, that was followed by the singing of the Roy Acuff classic. 

During that entire segment, the majority of the audience were standing, with tears in many eyes. It was truly an emotional moment and the perfect way to start the show. 

The entire night was a highlight but two stood out for me: the tribute to Bill Anderson and the gospel segment that featured The Isaacs, John Conlee and Mark Wills. The ending was perfect with Steven Curtis Chapman leading the cast in the finale. I also nod my head to the Tennessee Mafia Jug Band, who I hadn’t seen in a while, and in my personal opinion, should be on every week backing up the square dancers. 

All aspects of the Opry's history were remembered in some way: the square dancers and string bands, comedy, gospel, and artists from various generations. 

The entire show was put together so well, blending the past with the present. I know that Dan Rogers spent a lot of time and effort putting this show together and he should be congratulated by each of us. I spoke to him on Friday night, just long enough to tell him thanks. 

The first show lasted over two and a half hours, with the second show ending until 1:40 in the morning. In my opinion, the audience for the first show seemed much more energetic and enthusiastic than those attending the late show, which was understandable considering how late into the night it was. And there were those, like me, who attended both shows. 

I know many watched the livestream and from what Miss Nellie told me, there were no issues with the stream, and it was so well produced that she felt she was right there with me. I think, from what she told me, the video and pictures that were shown in the Opry House were also shown on the livestream.

In addition to those I have already mentioned, there was Dustin Lynch, Pam Tillis, Lorrie Morgan (who did an outstanding version of Something In Red, perhaps the best I have ever heard her sing it), Marty Stuart, Del McCoury, The Whites, Riders In The Sky, Gatlin Brothers, Dailey & Vincent, Suzy Bogguss, Mandy Barnett, T Graham Brown, Don Schlitz, Henry Cho, Gary Mule Deer, Charlie McCoy, Jamey Johnson, and last but not least, Vince Gill. 

Following in the footsteps of Roy Acuff, Vince is truly the face of the Grand Ole Opry and I could make an argument that Vince is the Opry’s most important and valuable member. During his segment, he spoke fondly of Roy and what Roy, and the Opry means to him. 

Connie Smith, Trace Adkins and Jeanne Pruett were scheduled but canceled due to illness. 

For those Opry members who were not there, and we know who they were, it would have been nice if you would have been there on this historic night (and the date has been known for 100 years), but you were not missed. The show was fine with those who chose to be there. I just can’t believe in the Opry’s 100th year, that there are some active members who have not appeared at all this year, or only made an appearance on the NBC special back in March. I know some have had legitimate reasons, but not everyone.

While there were a couple of members specifically who did disappoint me by not being there, those who were are the members that are the backbone of the Opry, that carry the show most weeks and will continue to carry the show into the future. They deserved their time in the spotlight. 

A surprise was seeing the Opry’s former general manager Pete Fisher, who was sitting a couple of rows in front of me. We enjoyed spending some time talking to him and he could not have been any nicer. He did say that he hopes to begin production soon on the movie about the life of Jimmy Dickens. Pete looked good and relaxed and seemed to be enjoying himself. 

Yes, we can nick pick at a few things here and there; members that were missing or not remembered, songs that we not sung, but not me. Well, actually, the traffic on Briley Parkway and the lack of parking spaces in the mall parking lot would be on my list. Luckily, I parked in the Opry's parking lot, as did a few others. 

Opry 100 will continue into 2026, and I know there will be many more historic and wonderful shows on the schedule, but it will be hard to top Friday night. 

On a personal note, my thanks to my “Opry” friends. I saw more than a few of you both Friday and Saturday night, and I always enjoy the visits. It was nice to catch up and to see some that I haven't seen in years. For those at home, yes, I was proudly standing with those, actually just a few, who have attended more than 100 Opry shows. 

Again, thanks to Dan Rogers and the entire team at the Grand Ole Opry for what we have experienced not only on Friday night, but during the entire 100th year. It's been wonderful. And what we saw on Friday night will never be repeated. 


8 comments:

  1. Great recap Byron. Thanks!

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  2. I said this on a previous post, but I thought the lineup was perfect. I preferred to see the Whites and Mandy Barnett and Charlie McCoy—the regulars, the real heart of the Opry —over big names who barely show up. Great job Dan and to the artists, musicians, and crew! Both shows were fantastic.

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  3. Thank you for your in-depth recap Byron, great job!

    It was a great, great first show, I could not stay awake for the second show but two things that stuck out for me ...

    1 ... Dan Rogers did not address the audience regarding these shows, maybe he felt the Opry members were going to do his talking for him ... and his Opry members were just great.

    2 ... I do not recall anyone talking about Jeanne Seely's recent passing and the over 5,000 appearances she made over the course of her lifetime at the Opry ... maybe I missed it, I moved away from my computer for not quite ten minutes, I could have.

    Aside from those two things, from Ricky Skaggs kicking off the show playing Uncle Jimmy Thompson's fiddle to perfection with all the Opry members standing in one large group behind him to the end the show with them singing "Will the Circle" and everything in-between was just great, great and great!

    Again, thank you Dan Rogers, every Opry member, the Opry singers and the Opry staff band and to all those behind the scenes who put on quite the show(s).

    (Jeanene)

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    1. Thanks Jeanene. Just to clarify, Dan Rogers did come out before each show, just prior to the countdown clock, thanking the audience for attending.

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    2. Ah! Thank you Byron, we did not see that on the live-stream.

      I did watch the intermission show with Kelly Sutton and Mark Wills I did hear Dan, in the background, talking to the Opry members.

      (Jeanene)

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  4. I watched the live stream on YouTube and for what its worth, during the pre-show and the intermission Kelly Sutton mentioned Jeannie Seely a few times. Kelly mentioned how Jeannie was a mentor to her when she first began announcing on the Opry and gave her a lot of advice. She was actually wearing an outfit and some jewelry - including a pin that had belonged to Minnie Pearl - that Jeannie gave her.

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    1. Thank you Anonymous, yes, I heard all you did, I was watching it on the G.O.O. Facebook page. I was referring to once the show started live-streaming that maybe they would incorporate a minute of time and maybe have a framed picture of Jeanne and would just tell everyone of how many Opry shows she was on the stage for in her years of being an Opry member.

      Thank you again! :-)

      (Jeanene)

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  5. I started watching as a very young child but then did not keep up until probably about, 2011 or 2012 or even a little bit later regularly. That was around the time that I found this blog. Friday night was the greatest show that I have ever seen. It was basically a retrospective for me, not only of the last hundred years but of the last decade and a half or so where I have been a consistent follower and Fan. We are never going to see anything like that ever again. And that is how it should be. Byron, what you say about Vince I don’t think anybody would disagree with. I would be very curious to see if some of the old timers like Jim would agree with that observation because if so, then it really is the passing of the torch to him I think. When he said he is around as much as he is because he feels like the place needs him, that should give us all chills because he’s right it does. And I think he will be around much more even than he is as his schedule slows down for traveling. It was a beautiful wonderful, perfect evening. Ez

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